442-net-004 Alan Morse Davies audio 4-4-2 netlabels Inspired by Steve Reich's late 60's tape works, "Come Out", and "It's Gonna' Rain", I wondered what Reich might have done if he had access to modern technology at the time. I had also been thinking about constructing something abstract from the sounds of old fairground organs, whirrs, clicks and occasionally strange tuning included. So, I digitised a bunch of recordings of fairground organs and other musical automata, then set about arranging each recording in layers up to 10,000 deep, coming up with three basic patterns (A, B and C) which I felt teased out interesting aspects of the original sound. The end effect of this in some of these pieces, is that the listener is able to hear every moment of a recording at once. After a few days of this, working feverishly but not stopping to listen to the results, I realised I had made a couple of mistakes right at the at the start in how I had arranged the patterns. In a way my modern technology was mimicing the imperfections of the original instruments, so I left the "mistakes" intact. The full audio (i.e. NOT mp3) CD version of this release can be purchased from <a href="http://www.at-sea.com" target="_blank">At Sea Music (click here).</a> fairground organ; phasing; musique concrete; drone; 4-4-2 Music; Alan Morse Davies 2007-07-10 05:28:39 2007-07-10 05:14:48 adrian@4-4-2music 2007-07-12 07:40:11 ajebec